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  • Archive for February 18th, 2012

    Mary Poppins Qld connections highlighted in exhibition

    Saturday, February 18th, 2012

    JESSICA van VONDEREN: The story of Mary Poppins has very close ties with regional Queensland. Author PL Travers was born in Maryborough. The musical has proved an overwhelming success at the Queensland Performing Arts Centre in Brisbane, and audiences have been able to learn about the author at an exhibition there.

    (FOOTAGE OF MARY POPPINS DRESS)

    CHRISTOPHER SMITH, EXHIBITION CURATOR: It was wonderful to learn that the creator of a character as well loved and as well known as Mary Poppins was actually not only an Australian but a Queenslander born in Maryborough. Her father was a bank manager. So she and her mother and her two sisters, she had two sisters which you dont hear about very often, spent their very earliest years in Maryborough. So they were there for about I think for about four or five years and then there some changes in their circumstances and they ended up in Allora for a period of time as well. So she spent quite few of her earliest childhood years in Queensland and I think thats reflected in the book. Because I think the resourcefulness that she needed to develop living in those sort of environments and particularly when they moved to Allora it was very open there was a sense of the sky, the star, Im sure that that had a real influence on the why the stars are important in the stories theyre a constant element because skies in outback Queensland are just blazing with them. And when we learnt that the Mary Poppins musical was coming here it seemed a fortuitous match that we could tell the story of PL Travers the writer and the character of Mary who sort of almost is an alto ego I think for Pamela and then to show how the character developed from the book to the film and then eventually into this live musical show.

    (FOOTAGE OF MARY POPPINS THE MUSICAL)

    CHRISTOPHER SMITH: We were fortunate that we managed to arrange a loan from th4e State Library of New South Wales where the PLTravers literary collection is held. And what I wanted was pieces that actually showed the hand of the author. So things that shed written on, drafts for things, comments that shed made. Theres a wonderful copy of the shooting script for the film which they, she managed to get sort of first refusal I suppose on the details of the script so shes actually written comments about it saying Mary wouldnt do this or I dont think thats correct. And theres drafts of stories for her later works.

    (MORE FOOTAGE OF COSTUMES OF MARY POPPINS)

    CHRISTOPHER SMITH: The costumes weve got here are from the Australian production. Were very fortunate in that over the period of two plus years that the shows been running inevitably the costumes have to be remade. Casts change, costumes get a bit worn sometimes but they have multiples as well because they get a lot of wear and tear on stage so we were able to negotiate with the company to borrow some of the extra costumes. For instance there are two costumes here worn by Mrs Banks the mother because the actress played in Brisbane is different from the actress playing in Sydney and Melbourne. So they had to remake them so we were fortunate we got to have some of the original costumes.

    (MORE FOOTAGE OF MARY POPPINS THE MUSICAL)

    CHRISTOPHER SMITH: If any childrens books survives two or three generations I think its destined to be a long term classic and Mary Poppins has certainly done that.

    Family, fashion dominate the days of Carolina Herrera

    Saturday, February 18th, 2012

    NEW YORK (Reuters) – Designer Carolina Herrera didnt grow up dreaming of a fashion career. Born in Caracas, Venezuela, she spent her childhood riding horses and pursuing favorite pastimes on the family estate.

    But fashion became her calling and after a lifetime of design, winning awards and providing red carpet looks for stars ranging from Oscar winner Renee Zellweger to Grammy winner Lady Gaga, industry watchers know that family is the thread that runs through Herreras personal and professional success.

    Maybe fashion was sleeping in me and suddenly it woke up, Herrera, 73, told Reuters. Because when I was growing up, my great interest was my horses, tennis and thats it, and dogs and normal life, not about fashion.

    A huge portrait of the designer by Andy Warhol, a memento of her night-clubbing years in the 1970s with superstar peers such as Mick Jagger, hung in her showroom behind her as she spoke with Reuters in an interview ahead of the February 13 debut of her latest collection at Mercedes-Benz Fashion Week in New York.

    Her office is filled with art books and framed family photos, and two silver statuettes from the Council of Fashion Designers of America — the Geoffrey Beene Lifetime Achievement Award she received in 2008 and the Womenswear Designer of the Year Award in 2004 — take a prominent place.

    With her Fall 2012 runway show set for Monday, Herrera talked about her 30 years in fashion and how she built her New York-based company, the privately held Carolina Herrera Ltd., into a global billion-dollar brand.

    A FAMILY AFFAIR

    Her mother, who was a very romantic, poetic, cultivated woman, her grandmother and the other women in her family loved haute couture, prizing the craftsmanship that made them as beautiful on the inside as on the outside, she said.

    Herrera saw her first fashion show at age 13 when her grandmother took her to see the Balenciaga collection. When she was almost 16, she began to wear stylish clothes to dances and parties. She married young and her first marriage ended in divorce. A second marriage, to childhood friend Reinaldo Herrera who has ties to Spanish nobility, has lasted.

    As a young mother who belonged to the jet set, Herrera caught the eye of photographers with her regal beauty and exquisite taste in clothes. She became a fixture on the best-dressed List in the 1970s and wound up in its Hall of Fame.

    But by 1980, Herrera wanted something more and she credits Diana Vreeland, the formidable editor-in-chief of Vogue magazine, with giving her the nod to become a fashion designer.

    I said, you know, I think I want to be a designer for material, for fabrics. And she looked at me straight in the eyes and said, Oh my dear, how boring that is. You cant. You have to do something else. Why dont you try to have a collection, or a whole collection from daytime to evening and try to do something like that, which you will like much better. She gave me the idea, Herrera said.

    She showed her first collection in 1981, and said she felt lucky to get her start in New York because the Americans were very generous. Her friend, the late Bill Blass, who was a favorite designer of Nancy Reagan, helped her, coaching her on how to stage a runway show.

    Herreras couture line of womens clothes and her Carolina Herrera collection are sold in boutiques and stores from New York to Moscow, Hong Kong and Dubai.

    The trendiest part of her business is CH Carolina Herrera, a more casual line that offers menswear, childrens wear, womens wear, handbags, shoes and other accessories, eyewear, fragrances and products for the home.

    THE SWEET SMELL OF SUCCESS

    Not to be left out are her fragrances – 11, in all – which she says are a designers passport to the world.

    When a designer is asked to do a fragrance, she said, you should do it immediately because thats what gets your name everywhere. Her daughter Carolina is in charge of the fragrance business — shes sort of the face, as her mother put it.

    She respects her daughters taste and their honesty, which help her understand what younger customers want. Patricias feedback is prized because she does not lie.

    For Herrera herself, the greatest compliment comes from customers, but its not expressed in words.

    Every time I see someone wearing something from Carolina Herrera, its a great compliment for me. It doesnt matter if it looks bad – its better that she looks beautiful. But its a great compliment because it says that Im doing something right, and so theyre buying it because they like it.

    But that sort of statement betrays the business success she has achieved in more than three decades.

    I believe that if you would have asked me 30 years ago, I would have never been able to imagine that we would have gotten to where we are today, she said.

    Asked to describe the best and worst parts of her job, she said her favorite functions were being creative – now I am really in heaven because Im working in the new collection – and the worst part were the media interviews. It scares me so much … but its part of the business.

    She advises young designers to keep the creative side of the business separate from the numbers, And on the topic of becoming a creative success, Herrera said it is all about your eye.

    Its about talent, of course. You have to have talent to design and to dress thousands of women or millions of women around the world. And you know very well, the only thing they want is to look more beautiful.

    In conversation, most topics seem safe, except retirement. Why do people ask that question? Is it because of the age? she asks.

    As timeless as her designs seem to be – her self-described uniform of a tailored white shirt and slim gray wool dress is always fashionable – Herrera never tires of going to work.

    When you do something that you like and you think you can keep doing it, you dont think about retiring. And this is a private company, so I dont have to retire.

    (Reporting by Alicia Powell and Jan Paschal; Writing by Jan Paschal; Editing by Bob Tourtellotte)

    COLLEGE CONNECTIONS: Leary bounces back for UMF

    Saturday, February 18th, 2012

    February 10

    COLLEGE CONNECTIONS: Leary bounces back for UMF

    By Bill Stewart bstewart@centralmaine.com
    Staff Writer

    FARMINGTON The more Kevin Leary watched, the more frustrated hed get.